DOROTHY ASHBY: The jazz harpist

DOROTHY ASHBY
A primeira vez que ouvi DOROTHY ASHBY (no rádio) pensei que era o solo de um guitarrista, acompanhado por outros. A "ficha demorou a cair", porque na época - anos 50 - eu não podia imaginar "bebop" tocado por uma HARPISTA...Fui pesquisar a
respeito de Dorothy e, mais surpreso fiquei, ao saber que ela não era a pioneira: antes dela já havia outras harpistas de jazz (Casper Reardon, Adele Girard e Corky Hale). Mas Dorothy Ashby foi a que se tornou mais famosa e mais conhecida e se tornou um ícone na história do jazz.
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DOROTHY ASHBY
* Born Dorothy Jeanne Thompson 6 August 1930, Detroit, Michigan
* Died 13 April 1986, Santa Monica, California
Although not the first jazz harpist, Dorothy Ashby was clearly the most successful, and contributed some choice recordings in the hard bop and jazz-funk styles. She grew up around music in Detroit, where her father, guitarist Wiley Thompson, often brought fellow jazz musicians home to jazz while Dorothy comped in the background on their piano. She came to the harp only after a short detour through saxophone and bass in the band of Cass Technical High School, where she attended alongside future jazz greats Donald Byrd, Gerald Wilson, and Kenny Burrell. She had to share five harps with fourteen other students, however, so she must have quickly discovered an affinity, because she was left with a goal of owning her own harp. As she later commented, "This isn't just a novelty, though that is what you expect. The harp has a clean jazz voice with a resonance and syncopation that turn familiar jazz phrasing
inside out." She attended Wayne State University, studying piano and music education, and after graduation, went to work in the small but lively jazz scene in Detroit. Although she could get hired as a pianist, she wanted to play harp more, and bought one in 1952. She overcame initial resistance to the concept by organizing free shows and playing to dances with her trio. Ashby's trio, including her husband John Ashby on drums, toured the country and appeared on a variety of jazz labels through the late 1960s. She played with Louis Armstrong, Woody Herman, and other acts, and in 1962, was selected in down beat's annual poll of best jazz performers. She also worked with her husband on a theater company, the Ashby Players, he founded in Detroit. In the late 1960s, they tired of touring and moved to California, where she broke into the studio system (which already had enough harpists for its needs)
with the help of soul singer Bill Withers. Withers recommended her to Stevie Wonder and she ended up with a steady series of session gigs, playing behind such singers as Dionne Warwicke, Diana Ross, Earth, Wind & Fire, and Barry Manilow.
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MINHA OPINIÃO: este é o primeiro álbum gravado por Dorothy, em 1957. Seus "sidemen" são nomes importantes, conhecidos e dispensam apresentação. É fantástica a facilidade com que D.A. maneja as cordas e pedais de um instrumento tão difícil,
fazendo da harpa o veículo perfeito para expressar sua intimidade com o idioma "bebop". Por ser, também, uma excelente pianista, domina as harmonias do jazz, formando os acordes necessários à base e dispensando o piano ou a guitarra. Este álbum é raríssimo, uma preciosidade. BELEZA PURA!
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DOROTHY ASHBY: The jazz harpist

PERSONNEL:
Dorothy Ashby - Harp
Wendell Marshall - Bass
Frank Wess - Flute
Eddie Jones - Bass
Ed Thigpen - Drums

TRACKS/FAIXAS:
1- Thou Swell
2- Stella by Starlight
3- Dancing on the Ceiling
4- Aeolian Groove
5- Quietude
6- Spicy
7- Lamentation